Gifts for artists

A jar of brushes, paint tubes and a folded rag

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Materials worth upgrading

Depth in what they already use, not breadth.

A fine sable paintbrush resting across a ceramic dish

One excellent brush

A single well-made brush outperforms a pack of ten and lasts years if looked after. Match the shape they reach for most.

A closed block of heavyweight watercolor paper

Heavyweight paper or a good sketchbook

Thin paper buckles and limits what can be attempted. A block of heavy cotton paper is the constraint most people are working against without realizing.

An open wet palette with a sponge sheet and mixed color pools

A proper palette

A sealed wet palette for acrylics or a large ceramic one for watercolor. It reduces waste and makes longer sessions possible.

Studio conditions

Light, space and storage decide how often someone actually works.

  1. A daylight lamp

    Color judged under warm household bulbs looks wrong in daylight. A daylight-balanced lamp is the difference between painting in the evening and giving up until spring.

  2. An easel that suits their scale

    A table easel for small work, a standing one for large. Working flat on a desk distorts perspective and hurts a back over time.

  3. Flat storage for finished work

    A portfolio case or a plan chest keeps work from curling, tearing and being lost. Artists accumulate faster than they display.

  4. A drawing board and clips

    Cheap, portable, and it turns any table or a lap into a working surface at the right angle.

Seeing the work

Getting finished pieces off the pile and onto a wall.

  1. Framing for one of their pieces

    Choose a finished piece, have it framed properly, and give it back to them framed. It is inexpensive and it treats their work as work.

  2. A gift card at the art shop they use

    Materials are personal, and this lets them buy the exact pigment or paper they were going to run out of anyway.

  3. A class or a life drawing session

    Time with a model or a tutor is the fastest improvement available. A block of sessions is better than a single one.

  4. A monograph of an artist they admire

    Looking closely at good work is part of the practice. A large, well printed book is studied for years.

The desk and the wall

Where the work happens and where it ends up.

  1. A drafting or task lamp on an arm

    Adjustable light exactly where the work is. It extends the working day by hours.

  2. A taboret or a rolling cart

    Somewhere for the paints that is not the floor. It turns a corner into a studio.

  3. Archival storage for finished work

    Acid-free folders and a flat box. Work that survives is work that can be shown.

  4. A good eraser set and blending tools

    Small, consumable, and the cheap ones smear. Anyone drawing uses these daily.

  5. Fixative and varnish

    Protects charcoal, pastel and acrylic. Boring to buy and needed at the end of every piece.

  6. A large sketchbook for loose work

    Cheap paper in a big size encourages the bad drawings that lead to good ones.

  7. Brush soap and a brush holder

    Brushes die from bad cleaning. A bar of brush soap costs little and doubles their life.

  8. A mannequin or an anatomy reference

    For anyone drawing figures. Useful, cheap and used at the desk constantly.

Gift countdown and order-by dates

Put in the date and see how long you have, and the last sensible day to order each kind of gift.

Save their birthday

We'll remind you about a month ahead, which is enough time to get a piece framed properly before the day.

Just the month and day. No year needed.

One or two emails a year about this date. Unsubscribe anytime.

How to choose

Artists are particular about materials in the same way musicians are about instruments. Paint, brushes and paper are chosen for how they behave, so a large mixed set of unfamiliar supplies is rarely a gift they can use.

What works is depth rather than breadth: more of the exact thing they already use, in a better grade. A single tube of professional paint in their palette beats a boxed set of twenty student colors.

Beyond materials, the reliable gifts are light, storage, and getting work off the desk and onto a wall. Most artists have a pile of finished pieces nobody has ever seen framed.

Questions

Good to know

What art supplies are safe to buy as a gift?

More of what they already use, in a better grade. Photograph the labels on their desk and buy the same paints or paper in the professional range rather than introducing an unfamiliar brand.

Are art sets a good gift?

For a beginner, yes. For a working artist, usually not, because the colors and brushes are chosen for the box rather than for them, and most of it will go unused.

What do artists need that is not materials?

Light, storage and framing. A daylight lamp extends the working day, flat storage protects finished pieces, and framing one of their own works is consistently one of the best received gifts.

Should I buy them a tablet for digital art?

Only with their input. Drawing tablets vary widely in feel and software support, and someone working in paint may have no interest in working digitally at all.